Tag Archives: patrick thornton

Selection Box Show 300

300

Like some sort of wireless Don Bradman I strode to the radio crease a few weeks ago and edged my way past 300. This means that if you listened to all editions of Selection Box in a row without any interruption you’d be aurally imbibing me talking in between records for over 12 days without sleep. In other words, you’d be a ruddy idiot.

Selection Box Show 300 (Listen Again here)

Transmitted 16/04/2014

1. Billy Butler – I Can’t Wait No Longer
from: Kent’s Cellar of Soul (various artists)

2. Factory Floor – Turn It Up
from: Factory Floor

3. Cody Chestnutt – I’ve Been There
from: Landing On A Hundred

4. The Goldheart Assembly – Oh Really
from: www.goldheartassembly.com/free-single-oh-really/

5. The Dark Sky Singers – One Hundred Years
from: Like No English

6. Music Love & Funk – Stone Lover
from: Purple Snow: Forecasting The Minneapolis Sound (various artists)

7. The Don Ezekiel Combination – Amalinja
from: Nigeria Special: Modern Highlife Afro Sounds & Nigerian Blues 1970-6 (various artists)

8. The Centurians – Bullwinkle Pt2
from: Surfers’ Pyjama Party

9. Rocky & The Riddlers – Flash & Crash
from: 7″ single

10. Khamoro – Lingara / Csavorgok
from: Lingara, Wanderers

11. Albert Hammond Jnr – Bargain of the Century
from: Como Te Llama?

12. Underworld – Mo Move
from: A Hundred Days Off

13. Lucius – Turn It Around
from: Wildewoman

 

Patrick Thornton presents Selection Box every Wednesday at 9pm.

Selection Box Shows 254 & 255: Ol’ Blue Eye Is Back

Yes, well done, do a joke about the colour of his eyes then use a black & white photo. Idiot.

In case you’ve been hiding under a glam rock for the last few months you can’t have helped but notice that music journalists and highly-successful BCB disc jockeys with up to 3 listeners alike have been getting into something of a froth with regards to the new album by a young man from South London. The Next Day, David Bowie’s first album since Reality in 2003 was released this week following something of a biscuit game by the great and the good among musos, among whom The Independent‘s Andy Gill referred to the new Jones long-player as “The greatest comeback ever.” Clearly the likes of Greg LeMond, Bobby Ewing, and, this week, FC Barcelona have something of a claim themselves to this title, but to argue whose was the best is a pointless task partly because it is a largely meaningless phrase and partly because I’m not entirely sure what a “comeback”, in musical terms, actually is. To comeback to something you surely have to have indicated that you were, by choice or by default, stopping doing whatever it was that you were doing in the first place. I recall no such suggestion from The Thin White Pensioner. Admittedly, 10 years between albums is something of a significant gap – particularly for someone who not only released 14 albums in 13 years between 1967 and 1980, but some of those albums were the most influential records of all time. A couple of the records after were a right load of old pelt as well, but we’ll skirt over that. However, for whatever reason our pop idols are more pop idle than they used to be – whereas releasing two albums in a year was not uncommon in the 1960s and 1970s, we think little now of artists taking 3 or 4 years between releases, which really begs the question as to why they aren’t generally a good deal better than they were 30 years ago. Continue reading →

Selection Box Show 253: Rodent Touch That Dial

Not only do rats spread disease, they also saved TVam, which was far worse.

Having avoided fully referring to BCB’s Studio 4 as a sea-faring vessel I now find that the metaphor would be rather useful not in only that, as a committed land-lubber (again in not in literal terms, though I can’t pretend I’m especially taken with sailing), I’m set to leg it from the aforementioned craft but also because a water rodent theme briefly developed on this week’s Selection Box. Whilst I am not a rat, and indeed Studio 4 is presumably built upon sound foundations and therefore I’m unlikely to disappear into a sink hole like that poor fellow in America, there does seem to be a varmint of a metaphor just sat there waiting to be smacked by my rolled-up newspaper.

 

Anyway, I appear to be drowning in metaphors. Metaphorically. As featured on this week’s programme, here’s some actual Rats, but not actual rats, courtesy of that there YouTube what all the kids are talking about now whilst they play with their yo-yos and trade Garbage Pail Kids cards.

 

Selection Box Show 253 (Listen again HERE)

Transmitted 27/02/2013

1. Gogol Bordello – Sally
from: Gypsy Punks: Underdog World Strike

2. The Glens – I Feel Great
from: Doo Wop From Rome Records 1960 – 61 (various artists)

3. Yumuri Y Sus Hermanos – Acaramelao
from: Tiene Bilongo

4. Balthazar – Sinking Ship
from: Rats

5. The Rats – Rats Revenge
from: Back From The Grave Volume 1 (various artists)

6. Ryan Francesconi & Mirabai Peart – Road To Palios
from: Road To Palios

7. ME – Vampire!! Vampire!!
from: Even The Odd Ones Out

8. Gary Numan – M.E.
from: The Pleasure Principle

9. Maclaine Coulson & Saul Rose – The Lazy Farmer
from: Sand & Soil

10. Submotion Orchestra – Thinking
from: Fragments

11. Tindersticks – A Night So Still
from: The Something Rain

12. Debroy Somers & His Band – You And The Night And The Music
from: Great British Bands Volume 2: Debroy Somers & His Band

13. The Bush – To Die Alone
from: Impossible True – The Kim Fowley Story

Patrick Thornton presents Selection Box every Wednesday at 9pm.

Selection Box Show 252: Fire Up The Quattro

For reasons far too dull and footling for even me to remember, this week’s Selection Box was recorded in Studio 4 of BCB instead of it’s regular home two doors away in Studio 2. Much like its Thunderbird of the same numeral, Studio 4 is something of a minor player in the BCB cannon compared to the all-important live broadcast hypersonic variable-sweep wing rocket plane of Studio 1, the heavy supersonic VTOL carrier lifting body aircraft that is Studio 2 and the re-usable, vertically-launched single-stage-to-orbit spacecraft we affectionately know as Studio 3. It’d be a stretch of an already tenuous metaphor to suggest it is a small utility submersible for underwater rescue, but, to flick to a barely more relevant simile, using Studio 4 instead of one of the other recording holes is like suddenly trying to use a Commodore 64 joystick to play Fifa when you’re used to the Duashock 3 controller.

In basic terms, the controls are different. In basic terms, it’s basic. Whilst to a novice the myriad of fiddly knobs, light-emitting diodes and push-me-pull-you faders may look more daunting than a desk with an abacus and a twisty crank, when you are used to the former you know how it works and, more to the point, how to correct something if it goes wrong. If you have nothing more than an on / off switch and a big red button that says, “DO NOT PRESS” on it then finding a way of piloting the vessel away from the big broadcasting black hole you’re about to get sucked into is more problematic. And thus it was that I fully expected disaster to befall the programme this week with every given push of a button or slide of a fader. Save for an odd moment a few records in, where my voice seems to appear mid-sentence for reasons I’m still not entirely clear of, I seem to have come out of my Studio 4 journey unscathed, which makes me blase for next week when I am in there again and will, therefore, no doubt end up die screaming as I plough the ruddy thing at full pelt into the hot burning sun.

Anyway, a quick bit of housekeeping is required on here before I get onto the weighty subject of the playlist, namely that the show this week began with Local Natives and you can still hear the interview I conducted with them at Leeds Festival on this ‘ere Soundcloud wotsit here. You can even download it should you be so very inclined – simply click on the arrow on the player and save it as you feel appropriate.

Patrick Thornton speaks to Andy & Kelsey from Local Natives by PatrickSelectionBox

 

Selection Box Show 252 (listen again HERE)

Transmitted 20/02/2013

1. Local Natives – Heavy Feet
from: Hummingbird

2. Junior Electronics – Mike McConnell
from: Musostics

3. Harlem River Drive – Seeds Of Love
from: Harlem River Drive

4. Mikhail – Cerberus
from: Xenophonia

5. Ray Noble & His Orchestra – Oh You Nasty Man
from: Risque Blues, Vol. 1 (various artists)

6. Nick Cave & The Bad Seeds – Higgs Bosun Blues
from: Push The Sky Away

7. Natacha Atlas – Marifnaash
from: Halim

8. Chris Barber Skiffle Group feat Dickie Bishop – Gypsy Davy
from: Chris Barber 1956

9. John Grant – Pale Green Ghosts
from: Pale Green Ghosts

10. Freaks – 80s Throwback
from: The Man Who Lived Underground

11. Melody’s Echo Chamber – Crystallized
from: Melody’s Echo Chamber

Patrick Thornton presents Selection Box every Wednesday at 9pm.

Selection Box Show 251: Hang The DJ

Click ting stamps.

Ugh. Every now and again a show ends up being an unmitigated disaster for no readily apparent reason. The brain fails in basic cogent thought and even when there is a flicker of something approaching intelligent air-filler the lip-enhanced hole in the middle of my face fails to express this appropriately and it just comes out as bibblebibblebibblebibblebibblebibblebibble.

Sadly, this week’s Selection Box was one such show. I can only apologise. Oh, and boil my neck in pot of heated fat as a form of self-flaggelation.

Thankfully there was the usual helping of delicious musical morcels to punctuate the flailing jibbering idiot, including a Thanking Your Kind Indulgence from Kraftwerk – who completed their residency at Tate Modern this week. What better antidote to an incoherent disc jockey could there be than a 7-minute display of minimalist German efficiency.

Here be the full playlist. I’m off to cry big wet tears until next week’s show.

 

Selection Box Show 251 (Listen again HERE)

Transmitted 13/02/2013

 

1. My Bloody Valentine – In Another Way
from: MBV

2. Bob & Lucille – Eeny-Meeny-Miney-Mo
from: Good Girls Gone Bad (various artists)

3. The Soft Hills – Dr. Mr Moonlight
from: Chromatisms

4. Kraftwerk – The Hall of Mirrors
from: Trans Europe Express

5. Hank Penny & His Radio Cowboys – Won’t You Ride In My Little Red Wagon
from: Crazy Rhythm: The Standard Transcriptions

6. Woodkid – Iron
from: The Golden Age

7. Walter Carlos – Title Music From A Clockwork Orange (From Henry Purcell’s The Funeral of Queen Mary)
from: A Clockwork Orange soundtrack

8. Wess & The Airedales – Blackout
from: Aquarium Drunkard Presents DJ Soft Touch (various artists)

9. Edwin Bonilla Y Jesus El Nino Perez – Angoa
from: Tirando Pa Charanga

10. Paul Ngozi – In The Ghetto
from: The Ghetto

11. Mr Vast – In Terms Of Ease & Speed
from: Grievous Bodily Charm

12. Fotheringay – The Sea
from: Fotheringay

 

Patrick Thornton presents Selection Box every Wednesday at 9pm.

Selection Box Show 249: Kris mass time

Nothing says Folk more than a set of welding goggles

Last Wednesday was a good evening for Kris Drever.  At virtually the same moment he was stood on stage, towering over his Lau bandmates Martin Green and Aidan O’Rourke as they picked up the Radio 2 Folk Award for Band of the Year, he was also treated to an even more thrilling achievement in that his solo recording of Harvest Gypsies, from the album Blackwater, was the opening track to Selection Box.  I dare say that life will never quite be so exciting for him again.

I did suffix the track by saying that it was one of my favourite records of the last five years, then suggested that it may well be older than that. In doing so I have made myself right and wrong simultaneously as it is in fact an astonishing 7 years since said offering was released.  No matter, though, because I’ll just readjust my hypothetical lists and declare that it is one of the best records of the last seven years.

Because it is.

 

 

Selection Box Show 249 (Listen Again here)

Transmitted 30/1/2013

1. Kris Drever – Harvest Gypsies
from: Blackwater

2. John Grant – Pale Green Ghosts
from: Pale Green Ghosts

3. Unknown artist – Oun Rognea Dul Chung Knong
from: Aquarium Drunkard Presents Dengue Fever (various artists)

4. Besnard Lakes – People Of The Sticks
from: Until In Excess, Imperceptible UFO

5. Julia Holter – Boy In The Moon
from: Ekstatis

6. Wave Machines – I Hold Loneliness
from: Pollen

7. Freddy Slack & His Orchestra – Mr Freddie’s Boogie
from: Bands That Can Boogie Woogie (various artists)

8. Pulp – After You
from: single release

9. Mary Love – Baby I’ll Come
from: Soul ‘n’ Moody, Black & Bluesy (various artists)

10. Beryl Bryden’s Backroom Skiffle – Rock Me
from: Heroes of Skiffle (various artists)

11. Rachael Zeffira – Here On In
from: The Deserters

12. Nick Cave – Jubilee Street
from: Push The Sky Away

 

Patrick Thornton presents Selection Box every Wednesday at 9pm.

Selection Box Show 248: Landmarks & Engels

I think we can safely assume that time travel is impossible (which is a shame, because I’ve already written this entire thing once and then accidentally irretrievably deleted it [although admittedly this would be footling use of such a powerful tool – shall I stop the Holocaust? No, I’ll undelete the BCB piece I wrote and lost which was largely about myself. Still Marty McFly didn’t do much more than make his family rich and everyone seems to love him]) so I think I can be forgiven for failing to play David Bowie on last week’s show. As I have previously explained, the cunning fox sent his new single Where Are We Now? out into the World just a few hours after I had recorded my show. Still, it provided a perfect opener for this week’s Selection Box. What is more remiss of me is the fact that the 70th birthday of arguably the greatest ever pop singer, Noel Scott Engel aka Scott Walker (anyone now yelling “Frank Sinatra!” at their computer can go and shove it up their badger. I’ve never understood the fuss over Ol’ Short Arse and never will), passed me by on the very day my first show in the new timeslot was broadcast.

Whilst I would always maintain that some of the greatest vocalists of all time are people who cannot actually sing (Mark E. Smith being a primary and quite astonishingly brilliant atonal example) when hearing Walker open his trap and, indeed, his throat I feel the pressing need to point people at the speakers and say, THAT is how you sing. I can’t imagine anything I’d like to see less than a guest appearance from Scott Walker on The X Factor, but if such a thing took place at least the result might be that the long queue of neat-haircutted chicken-in-a-basket warblers might just nudge each other and say, “Come on, we may as well go home.”

Not that such a thing is likely, of course, because these days Walker’s output couldn’t be further removed from the conveyor belt claptrap offered by ITV’s flagship God-it-goes-on-forever entertainment piece. Indeed is hard to think of another successful artist who has moved as far leftfield as Scott Walker. I cannot help but applaud any bloody-minded artist who is determined to challenge their own boundaries, experiment with new sounds and seek to explore untrodden avenues, and to hell with shifting units and keeping the bank balance high enough to afford another swimming pool in the back of a stretch Hummer. However, that’s not to say this necessarily results in a more rewarding output because, as much as I love music that takes you somewhere you’ve never been before, I must confess that some of Scott Walker’s more experimental material leaves me rather cold – indeed parts of his 2006 album The Drift were frankly unlistenable. When his new album Bish Bosch was released last month I was, therefore, left with a ummm ahh hesitation as to whether I actually wanted to hear it, let alone buy it. However, I have decided that hard-earned brass must be shelled out as the wares from the album I have heard thus far have been really rather splendid.

This includes the extraordinary Epizootics – which featured in this week’s Selection Box as our long track for the Thanking Your Kind Indulgence section of the show – a 10-minute brooding stew of tribal drums, a malevolent squealing three-note trumpet motif and Walker’s haunting vocal with the added bonus of hearing our hero intoning that we should “take that accidentally in the bollocks for a start.” What’s not to like, frankly?

A belated happy birthday to you, Noel.

Here be the tracklisting, by jingo:

Selection Box Show 248 (Listen Again here)

Transmitted 16/01/2013

1. David Bowie – Where Are We Now?
from: The Next Day

2. Berna Dean – I Walk In My Sleep
from: Theme Time Radio With Your Host Bob Dylan Volume 1 (various artists)

3. Harry Mudie – Heavy Duty Dub
from: Ghostcapital III (various artists)

4. Tadao Sawai – Futatso No Hensokyoku Sakura Sakura
from: Sanka Tadao Sawai Plays Tadao Sawai

5. Clinic – See Saw
from: Free Reign

6. Joe Williams’ Washboard Blues Singers – Baby Please Don’t Go
from: Western Swing Roots 3: Jug / Washboard Bands (various artists)

7. Scott Walker – Epizootics
from: Bish Bosch

8. Scott Walker – Plastic Palace People
from: Scott 2

9. Jessica Pratt – Night Faces
from: Jessica Pratt

10. Pulsallama – The Devil Lives In My Husband’s Body
from: The Devil Lives In My Husband’s Body 7″ single

11. T.P. Valentine – Love Trap
from: The Northern Soul Story 3: Blackpool Mecca (various artists)

Patrick Thornton presents Selection Box every Wednesday at 9pm.

Selection Box Show 247: No Wowee for Bowie

Ol' blue eye is back.

Quite frankly, I find it hard to criticise David Bowie in any way. As I outlined last year in my 65th birthday love letter to him, even the dreadful offerings of Tin Machine and the Tonight album serve a vital public service in making us all feel a bit less inadequate that we are not David Bowie and he is.  However, I am mildly miffed that His Nibs Jones saw fit to release his first single (though not strictly his first new material as the popular press seem intent on telling us) in 10 years a mere 10 hours after I had recorded this week’s show – the first in the new time slot of 9pm on a Wednesday – therefore leaving my hour’s offering notably shy of Where Are We Now.  He could have told me first.  Thanks a bundle, Dave – and I call you Dave knowing full well that you don’t like people calling you Dave, just as I come out in hives whenever anyone refers to me as “Pat”.  Eugh.

 

Show up at Glastonbury in June and I’ll consider letting you off.  And indeed I’ll call you “David” again.

For those of you still stuck with your head in an ignorance bucket, here’s Bowie’s rather lovely comeback offering:

And here’s the Bowieless playlist for this week’s show:

Selection Box Show 247 (Listen Again here)

 

Transmitted 09/01/2013

1. Television – Marquee Moon
from: Marquee Moon

2. Otis Rush – Homework
from: Black History: American Blues Classics (various artists)

3. Rennie Pilgrem Presents Thursday Club featuring Anthea – Somewhere
from: Y3K> Deep Progressive Beats (various artists)

4. Soul Dendi – Hanoubiangabou
from: Le Super Bourgou de Parakou (various artists)

5. Broadcast – Hammer Without A Master
from: Black Session, Paris (5/4/2000)

6. Parno Graszt – Odi Phenel Cino Savo / Ast Mondja A Kiffiam
from: Rávágok A Zongorára

7. Beth Orton – Mystery
from: Sugaring Season

8. Braintax – Syriana Style
from: Panorama

9. Mobile Strugglers – Memphis Blues
from: Western Swing Roots 3: Jug / Washboard Bands (various artists)

10. Prince Fatty featuring Hollie Cook – And The Beat Goes On Dub
from: Prince Fatty Presents Hollie Cook In Dub

11. Moulettes – Circle Song
from: The Bear’s Revenge

 

Patrick Thornton presents Selection Box every Wednesday at 9pm.

Eclectic Mainline 7 March 2012

Albert Freeman, yesterday.

And lo, did I feel the bearded hand of Uncle Travelling Albert on my shoulder, informing me that he was returning from his global jaunt and that my stint in the coveted Electic Mainline chair (a decorative castered sedan with attachable caviar tray) was in its last throes.

 

Sadly, due to a misunderstanding between himself and a helmeted law enforcement officer regarding a holed-out turnip, a pair of malfunctioning trousers, a series of primal yelps and the back seat of an omnibus, Phil Cope was unable to co-present with me once more and the show progressed as a Thornton-only concern. Contributions to his bail should be sent in the form of cash directly to me in a brown paper envelope and without out a word to the Inland Revenue.

Still, despite the dearth of Cope’s lovely Pontefract brogue there were plenty of terpsichorean treats to fill the programme. Here be the monikers what be done gone given to them as rudimentary identifiers, and meanwhile I’ll scuttle back off to my Midnight griefhole with a chair made out of razorwire. Thanks for having me.

Eclectic Mainline 7 March 2012 (listen again here)

1. PJ Harvey – On Battleship Hill
from: Let England Shake

2. Meta Marie Louise featuring Max and Momo – Gramma’s Flower Pots
from: Sunny Spots

3. Chairlift – Met Before
from: Something

4. Cavacha Bariba – Adiza Claire
from: Le Super Borgou de Parakou (various artists)

5. Kate Walsh – Le Jardiner
from: The Real Thing

6. Band of Skulls – Bruises
from: Sweet Sour

7. Bonobo featuring Andrea Triana and Dels – Eyesdown
from: Black Sands Remixed

8. Joan As Police Woman – Run For Love
from: The Deep Field

9. Robert Ellis – Comin’ Home
from: Photographs

10. Spoek Mathambo featuring Yolanda – Let Them Talk
from: Father Creeper

11. Erik Friedlander – Tabatha
from: Bonebridge

12. Gang Gang Dance – Chinese High
from: Eye Contact

 

Patrick Thornton presents Selection Box every Monday at Midnight.

Selection Box Shows 211, 212, 213 & 214

Imagine, if you will, the effect on your body and mind from having spent several weeks slaving away at the coal face of public service broadcasting having to work for a whole two hours every week.  Well, look upon my exhausted face and see such a reality, for having recorded my own show I have also been sitting in for Albert Freeman on Eclectic Mainline.  So yes, that’s not one hour per week but two – you’d barely think that such a feat of human endurance was possible but I am living proof that with proper application and a back-up stock of biscuits a man can push his corporeal essence to the very limits.  It knocks that John Bishop bloke’s efforts into a tilted titfer, I think you’d agree.

Anyroad around, this week’s featured record comes from My New Favourite Band for this week Those Darlins who are a four-piece from Tennessee who have the knack not only of making smashing three minute guitar pop records but also looking ruddy great.  Here’s the second track from their new album Screws Get Loose entitled Your Bro which has lyrics to die for.  Not literally, obviously.  No one should ever die for a lyric.  Unless it’s as punishment for Des’Ree. I’d rather have a piece of toast.


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