Tag Archives: www.twitter.com/Selection_Box

Saltaire Live 2010 (and Selection Box 131)

Only a wazzock would begin a blog entry about what he played on his radio show this week by discussing a band whose wares he failed to commit to the airwaves.  I am that aforementioned hitherto hypothetical wazzock.  I had all good intentions of playing Salsa Celtica on this week’s programme, and then when the weekly task of packing the record bag full of goodies in preparation for the programme came along, I just plain forgot.  If you see me on the street, feel free to point and boo me for my continued enslavement to lacksadaisy.

The timing of the proposed play was imperative, as it was meant to serve as a “heads up” – as I believe trendy people say – to the fact that Salsa Celtica, who released their new live album En Vivo En El Norte on 19 April, are set to play at Victoria Hall this coming weekend as a part of this 2010’s Saltaire Live.

Salsa Celtica play the Saltaire Live festival this weekend.

Salsa Celtica - only one of them was expecting rain.

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Cope, Arrowsmith & McLaren: Selection Box Shows 128, 129 & 130

After a false start a little while ago, Brigadeer Phillip Agnostin D’Argtanian Tannoy Gargle Pissflap Cope III plonked his posterior into the guest chair for Selection Box 128.  I continually say that I am not going to keep noting the number of the show we’re on, as its something I only mark out for my own probably-autistic filing purposes.  And yet I continue to announce how many of these by-the-seat-of-the-pants produced pillock presented programmes we’re up to now.  Still, worth noting that in around four months we’ll (and that’s very much the royal “we”) be up to 147 shows.  Perhaps I’ll have a snooker-themed special to celebrate.  Chas & Dave have retired now, so that’s them out the window as potential session guests, but no doubt referee Len Ganley knows how to tap a triangle on cue, so that’s a part of the rhythm section sorted.  Actually, he’s probably dead now I think about it.  I do know that Steve Davis is a prog rock aficianado, so perhaps this isn’t as daft an idea as it first seemed.  The only problem I foresee is that personally I find the majority of prog a bit too, well, shit to play on air.

Yours truly (right) and Phil Cope clearly have nothing in common.

Yours truly (right) and Phil Cope clearly have nothing in common.

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Selection Box 126 & 127

Selection Box in 2010 seems to have become an inordinately fractured affair.  Having been sidelined due to maleness a few weeks ago for International Women’s Day (solidarity, sisters), Selection Boxes 126 & 127 were separated by a an unscheduled hiatus due to spectacular bout of viciously violent vomiting and Olympic-standard diarrhoea.  Fear not, I will spare you the gruesome details, except to say that bizarrely this stems back nearly two years ago to a visit to Ireland when I accidentally poisoned myself on a daffodil, and somehow repeating this trick a few weeks ago despite best efforts to avoid the yellowy little buggers.  It takes a special type of idiot to poison yourself on a daffodil.  It takes a spectacular pillock to manage to repeat the trick.  Hello there.

If you want to murder me, now you know how to do it.  But please dont - I have a child and a wife and a full biscuit tin.

If you want to murder me, now you know how to do it. But please don't - I have a child and a wife and a full biscuit tin.

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Selection Box Playlists & Kate Walsh preview

Before this gets too involved, I’d best catch up on myself and give you the playlist from the last two editions of the show.  So here tis.  They are.  Them’s these.

Selection Box Show 108

Transmitted 12/10/09

1.  Billie Holiday – Them There Eyes
from: The Collection

2.  Nouvelle Vague featuring Ian McCullough – All My Colours
from: 3

3.  Dirty Projectors – Cannibal Resource
from: Temecula Sunrise EP

4.  The Big Bopper – Little Red Riding Hood
from: The Best of The Big Bopper

5.  Grandaddy – He’s Simple, He’s Dumb, He’s The Pilot
from: The Sophtware Slump

6.  Zé Cafofinho e Suas Correntes – Meio de Transporte
from: The Rough Guide To Brazilian Street Party (various artists)

7.  Kenny Rogers & The First Edition – Just Dropped In (To See What Condition My Condition Was In)
from: The Best of Kenny Rogers & The First Edition

Utterly splendid compilation of axe backed babes Girls With Guitars

Utterly splendid compilation of "axe backed babes" Girls With Guitars

8.  Bob Dylan – If You Ever Go To Houston
from: Together Through Life

9.  The Beat Club – Security (Midnight Club Mix)
from: The Hacienda Classics (various artists)

10.  Tomboys – I’d Rather Switch
from: Girls With Guitars (various artists)

11.  Richard Hawley – For Your Lover Give Some Time
from: Truelove’s Gutter

12.  Devendra Banhart – Baby
from: What Will We Be

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For your pleasure #1: Roxy Music

Every now and again it occurs to me that a band or artist I love and cannot help but immerse myself in on a regular basis are not necessarily known by everyone else in anything other than name.

One such occurrence took place when I attempted to delve into a fawning discussion about the works of Roxy Music, and found that such an endeavour was fruitless, as I was the only person there au fait with their oeuvre.

And so, thunks I, why not spazz my adulatory musings on such matters onto the blog and start a series of You Should Like This, Actually postings which will hopefully enrich yours lives and mark me out as a veritable paragon of taste into the bargain.

And so, where better to start with the series than with the band which, in a strange roundabout sort of way, spawned the monster; Roxy Music.

Phwoar, you would.

Phwoar, you would.

Formed in 1970 by Bryan Ferry, the general perception of the band by Joe Public seems to be overwhelmingly weighted towards their latter work and much of Ferry’s solo career wherein he crafted the image and sound of something of a lounge lizard.  It was the 1980s, y’know.

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Selection Box

Good morning, Patrick Thornton from the Selection Box programme checking in.

Well, how very exciting – another place to babble incoherently. As if an hour’s worth of airtime every week to waffle on in between records wasn’t enough to satisfy my personal vanity.

For those of you lucky enough not to have caught my show, I am a high profile and well-respected radio disc jockey with up to 3 listeners. Wow, imagine that.

There’s no enormously intellectual agenda to Selection Box, the intention is simply to enjoy music of all genres. I’d like to think that everyone listening would like at leat one record played during the show, and whilst not seeking to be willfully obscure I’d hope that lots of what we play will be new to you.

You can also contribute to the content – particularly by sending suggestions for our long record feature Thanking Your Kind Indulgence. Here are the rules:

1. The track must last 7 minutes or more.
2. It must be good.
3. That’s it.

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