Hello! This month’s Buffet was chock full of good new stuff and great old stuff. If you want to check it out, you can listen here.
This is what we played:
1. ALL – Freaky
2. LUSCIOUS JACKSON – Show Us What You Got
3. ANTLERED MAN – GDZ
4. ANNA CALVI – Suddenly
5. THE BHUNDU BOYS – Zvandinesta
6. JANELLE MONAE ft. PRINCE – Give Em What They Love
7. JOANNA GRUESOME – Sugarcrush
8. THE OCTOPUS PROJECT – Sharpteeth
9. JEFFERY LEWIS & THE RAIN – Wwprd
10. MAZZY STAR – California
11. KATE NASH – Death Proof
12. KIMYA DAWSON ft. AESOP & OLYMPIA FREE CHOIR – Miami Advice
13. THIN LIZZY – Sitamoia
14. TIM KASHER – Truly Freaking Out
15. ALL – Just Like Them
Hello hello! If you tuned into Buffet on Sept 8th we apologise for being out of step – it was actually August’s show (which didn’t get broadcast because of a computer hoo-ha). However, we still played cool stuff if you fancy a listen…
This here is the track list:
1. THE RUNAWAYS – School Days
2. GIRLS AGAINST BOYS – Bullet Proof Cupid
3. JANELLE MONAE & ERYKAH BADU – Q.U.E.E.N.
4. KRAFTWERK – Computer Operator
5. THE UNIT AMA – Plastique Bertrand
6. BJORK – Sun in my Mouth
7. YUCK – Rebirth
8. DUCHESS SAYS – Time to Reiterate
9. ARCTIC MONKEYS – Do I Wanna Know
10. CHICKS ON SPEED – Yes I Do
11. GIRLSCHOOL – Let’s Go
12. HUMAN LEAGUE – Sound of the Crowd
13. WENDY & LISA – Sweet Suite
Last week we broadcast a Fantasy Festival special, cos it’s quite fitting at this time of year. Some people are off to Latitude tomorrow (including Jenny Jet), and I am very jealous indeed (although you would have to pay me a lot of money to endure Texas).
Anyroad, you can probably guess that our show explored who would be in our fantasy line-ups. Certainly no re-formed bands, we’ve gone for people in their prime! Thank you to everyone who sent their own suggestions, including Jenny Wilson, Cheryl Killey, Anke Holgersson and Nanette Brimble. Elvis, George Formby, Kirsty MaColl… all good suggestions, and eclectic, which is how we like it.
Here’s the small selection we squeezed into the show:
1. ELLA FITZGERALD – Can’t Buy Me Love
2. SONIC YOUTH – Sugar Cane
3. VIOLENT FEMMES – Prove My Love
4. AC/DC – Back in Black
5. PUSSY RIOT – Putin Lights the Fires
6. GLEN CAMPBELL – Wichita Lineman
7. PRINCE AND THE REVOLUTION – Life Can Be So Nice
8. SUPER FURRY ANIMALS – The International Language of Screaming
9. DESTINY’S CHILD – Bootylicious
10. COCTEAU TWINS – Bluebell Knoll
11. DEATH FROM ABOVE 1979 – Going Steady
12. KRAFTWERK – Tour De France
13. THE SMITHS – William, It Was Really Nothing
14. THE TEMPTATIONS – Ball of Confusion
And there’s a bit of Mike Sammes Singers and Herb Alpert in there somewhere.
If you listened/listen to the show, you’ll know I laboured over my line-up, and even now keep thinking of bands I missed, but here’s what I came up with (in order of appearance):
Friday
Swell Maps
Dirty Projectors
Duchess Says
Violent Femmes
The Knife
Husker Du
Pixies
Super Furry Animals
LCD Soundsystem
Sufjan Stevens
Saturday
We Rock Like Girls Don’t
Fanny
Fatima Mansions
Death From Above 1979
Pussy Riot
50 Foot Wave
Dead Kennedys
Plan B
Curtis Mayfield
Beastie Boys
Sunday
The B-52s
Ella Fitzgerald
The Kinks
Hern Alpert and the Tijuana Brass
The Temptations
Destiny’s Child
Blondie
Beck (featuring The Mike Sammes Singers)
Jimi Hendrix
Prince and the Revolution
Feel free to add you own line-ups, and don’t forget your sunscreen!
Last month we had a robot themed show, which you can listen to here. This was inspired by Jenny’s work with Playful Leeds around the theme of #secretrobots – there may be more robotic fun to be had over the coming months, so check them out on Twitter!
Anyroad, it meant lots of fun digging out themed music, and we reckon we played quite a good mix – this is it:
1. BRIAN LE BARTON – Threshold (8 Bit)
2. BEASTIE BOYS – Intergalactic
3. MARNIE STERN – Year of the Glad
4. IMANI HEKIMA – The Robots’ Rebellion
5. GRANDADDY – Jed the Humanoid
6. THE JULIE RUIN – Oh Come On
7. BEING 747 – Do the Maths
8. JOHNNY TERRIS – Bionic Fembot Mix
9. A.C.TEMPLE – Miss Sky
10. JANELLE MONAE – Cybertronic
11. NADINE SHAH – Dreary Town
12. THE FUTUREHEADS – Robot
13. SQURL – Pink Dust
14. ELO – Â ‘Yours Truly, 2095’
15. KRAFTWERK – We are the Robots
Hello, hello! This month’s show really is a bit of a spread, straddling decades and genres, and with great new songs from Suuns, Deathfix and The Knife. You can catch up with the show here
And this is what we played:
1. Theme from THE ROCKFORD FILES
2. SLEATER-KINNEY – You’re No Rock ‘n Roll Fun
3. Â SUUNS – 2020
4. PORTABLE PONY – Festival
5. DEATHFIX – Better Than Bad
6. ESG – Dance
7. EGG HUNT – We All Fall Down
8. MAGNETIC FIELDS – Andrew In Drag
9. CHAKA KHAN – I Feel For You
10. TABLA BEAT SCIENCE – Big Brother
11. SUFJAN STEVENS – From The Mouth of Gabriel
12. LCD SOUNDSYSTEM – Drunk Girls
13. HERB ALPERT AND TIJUANA BRASS – Cabaret
14. STEVIE WONDER Â – Superstition
15. THE KNIFE – Full of Fire
Yes, well done, do a joke about the colour of his eyes then use a black & white photo. Idiot.
In case you’ve been hiding under a glam rock for the last few months you can’t have helped but notice that music journalists and highly-successful BCB disc jockeys with up to 3 listeners alike have been getting into something of a froth with regards to the new album by a young man from South London. The Next Day, David Bowie’s first album since Reality in 2003 was released this week following something of a biscuit game by the great and the good among musos, among whom The Independent‘s Andy Gill referred to the new Jones long-player as “The greatest comeback ever.” Clearly the likes of Greg LeMond, Bobby Ewing, and, this week, FC Barcelona have something of a claim themselves to this title, but to argue whose was the best is a pointless task partly because it is a largely meaningless phrase and partly because I’m not entirely sure what a “comeback”, in musical terms, actually is. To comeback to something you surely have to have indicated that you were, by choice or by default, stopping doing whatever it was that you were doing in the first place. I recall no such suggestion from The Thin White Pensioner. Admittedly, 10 years between albums is something of a significant gap – particularly for someone who not only released 14 albums in 13 years between 1967 and 1980, but some of those albums were the most influential records of all time. A couple of the records after were a right load of old pelt as well, but we’ll skirt over that. However, for whatever reason our pop idols are more pop idle than they used to be – whereas releasing two albums in a year was not uncommon in the 1960s and 1970s, we think little now of artists taking 3 or 4 years between releases, which really begs the question as to why they aren’t generally a good deal better than they were 30 years ago. Continue reading →
Not only do rats spread disease, they also saved TVam, which was far worse.
Having avoided fully referring to BCB’s Studio 4 as a sea-faring vessel I now find that the metaphor would be rather useful not in only that, as a committed land-lubber (again in not in literal terms, though I can’t pretend I’m especially taken with sailing), I’m set to leg it from the aforementioned craft but also because a water rodent theme briefly developed on this week’s Selection Box. Whilst I am not a rat, and indeed Studio 4 is presumably built upon sound foundations and therefore I’m unlikely to disappear into a sink hole like that poor fellow in America, there does seem to be a varmint of a metaphor just sat there waiting to be smacked by my rolled-up newspaper.
Anyway, I appear to be drowning in metaphors. Metaphorically. As featured on this week’s programme, here’s some actual Rats, but not actual rats, courtesy of that there YouTube what all the kids are talking about now whilst they play with their yo-yos and trade Garbage Pail Kids cards.
For reasons far too dull and footling for even me to remember, this week’s Selection Box was recorded in Studio 4 of BCB instead of it’s regular home two doors away in Studio 2. Much like its Thunderbird of the same numeral, Studio 4 is something of a minor player in the BCB cannon compared to the all-important live broadcast hypersonic variable-sweep wing rocket plane of Studio 1, the heavy supersonic VTOL carrier lifting body aircraft that is Studio 2 and the re-usable, vertically-launched single-stage-to-orbit spacecraft we affectionately know as Studio 3. It’d be a stretch of an already tenuous metaphor to suggest it is a small utility submersible for underwater rescue, but, to flick to a barely more relevant simile, using Studio 4 instead of one of the other recording holes is like suddenly trying to use a Commodore 64 joystick to play Fifa when you’re used to the Duashock 3 controller.
In basic terms, the controls are different. In basic terms, it’s basic. Whilst to a novice the myriad of fiddly knobs, light-emitting diodes and push-me-pull-you faders may look more daunting than a desk with an abacus and a twisty crank, when you are used to the former you know how it works and, more to the point, how to correct something if it goes wrong. If you have nothing more than an on / off switch and a big red button that says, “DO NOT PRESS” on it then finding a way of piloting the vessel away from the big broadcasting black hole you’re about to get sucked into is more problematic. And thus it was that I fully expected disaster to befall the programme this week with every given push of a button or slide of a fader. Save for an odd moment a few records in, where my voice seems to appear mid-sentence for reasons I’m still not entirely clear of, I seem to have come out of my Studio 4 journey unscathed, which makes me blase for next week when I am in there again and will, therefore, no doubt end up die screaming as I plough the ruddy thing at full pelt into the hot burning sun.
Anyway, a quick bit of housekeeping is required on here before I get onto the weighty subject of the playlist, namely that the show this week began with Local Natives and you can still hear the interview I conducted with them at Leeds Festival on this ‘ere Soundcloud wotsit here. You can even download it should you be so very inclined – simply click on the arrow on the player and save it as you feel appropriate.
Ugh. Every now and again a show ends up being an unmitigated disaster for no readily apparent reason. The brain fails in basic cogent thought and even when there is a flicker of something approaching intelligent air-filler the lip-enhanced hole in the middle of my face fails to express this appropriately and it just comes out as bibblebibblebibblebibblebibblebibblebibble.
Sadly, this week’s Selection Box was one such show. I can only apologise. Oh, and boil my neck in pot of heated fat as a form of self-flaggelation.
Thankfully there was the usual helping of delicious musical morcels to punctuate the flailing jibbering idiot, including a Thanking Your Kind Indulgence from Kraftwerk – who completed their residency at Tate Modern this week. What better antidote to an incoherent disc jockey could there be than a 7-minute display of minimalist German efficiency.
Here be the full playlist. I’m off to cry big wet tears until next week’s show.
As many a dull, spawn-of-their-loins-obsessed parent will tell you, having a child can present a different perspective on the ways in which the World works from time to time. This has a peculiar way of manifesting itself now and again, such as, just for example, discovering that those irritating adverts on YouTube can serve a genuinely beneficial sociological function.
Of course it serves us ruddy well right for trying to watch something for nothing that we have to sit through up to a whole five seconds of an advertisement before we can view whatever 5-minute load of pelt we’re wanting to stream, but this does not stop us finding the 8%-of-a-minute commercial for arse hair removal something of an irritant. However, when your choice of viewing is an episode of Fireman Sam, selected by your 3 year old son, and the advert is for the new album by Villagers there is clearly something of a benefit to them. This is particularly true when 24 hours later said child expects to see the same advert again and asks for it, and then spends much of the week singing Villagers around the house.
Thus it was that we added Villagers to the list of Good Things that he has now shown a genuine postive interest in, which includes Talking Heads, Jonathan Richman & The Modern Lovers, Spirit of Eden period Talk Talk and Diana Rigg-era episodes of The Avengers. Parenting isn’t a competition, but I’ve definitely won.
Enough of this Look At Me I Procreated guff, here’s what I went and gone done played this week: